Forget whatever you thought about Clutch. Earth Rocker crumples up the bad categories that have miscast them for years — stoner rock, post-hardcore, metal, grunge — and leaves no question about what they are: a damn good rock and roll band.
Earth Rocker is a solid, straight-up rock and roll album, exactly what the band had in mind for their tenth studio album, now that their Weathermaker Records label is fully up and running. “It might be the best Clutch album that has ever existed,” says guitarist Tim Sult.
It's a concise, efficient album. That was the point, says drummer Jean-Paul Gaster. “We really tried to reign in the jam aspect of the band. We like to improvise a lot, but this album, we really wanted stuff mapped out. We wanted to go into the studio fully armed to make a really powerful record.”
“I'm excited about its succinctness, and how balls-to-the-wall it is,” says frontman Neil Fallon. “The length of an LP is optimal for enjoying a body of new music, approximately 40- 45 minutes. There's something to be said about Side A and Side B. It's more cinematic, and that was the approach.”
The album began taking shape when Clutch toured with Mötorhead, then Thin Lizzy. Revisiting those two favorite bands, they were able to apply their own experience as musicians to better understand the dynamics of their heroes. “The songwriting process happened around the time of those tours, so that really sank into our writing,” Sult recalls. “Maybe people expected us to go more acoustic or bluesy, but this album definitely showcases a riffs-in-your-face kind of style. These songs ended up being faster and a bit more rocking.”
“Overall, we wanted the album to pick up the pace a little bit,” bassist Dan Maines explains. “Songs developing at a faster tempo led to a very straightforward songwriting approach.”
That songwriting simplicity is also indirectly a result of the Basket Of Eggs EP issued two years ago with the Weathermaker re-release of Blast Tyrant. “That acoustic stuff represents a new style of writing for us,” Maines says. “It kind of forces you to strip down what you're playing. We had almost two years to spend on the writing process, and we had a lot of ideas. Having two years allowed us to trim the fat.”
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